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Review: Mustafa captures the present moment in all its beauty and turmoil with new folk/R&B album ‘Dunya’

Review: Mustafa captures the present moment in all its beauty and turmoil with new folk/R&B album ‘Dunya’

Between the release of the Sudanese-Canadian poet/artist that of Mustafa first album, When the smoke risesin 2021 and his latest album, Dounyathe world has changed in ways that have made music activism more relevant. However, his unwavering ability to confront potentially troubling topics head-on has only grown stronger over these three years. And with Dounyaan Arabic word that roughly means “the world in all its faults”, the personal experiences he speaks about in his music are immediately made universal by the overarching themes, ranging from faith to death. Perhaps most impressive is how he has also evolved artistically, drawing inspiration from very different genres to better express a broad emotional spectrum true to the highs and lows of life.

Although best known for his R&B sound, Mustafa pushes the boundaries of what could be achieved in the genre. “Iman” is a warm embrace that allows him to sing in registers that contrast with the guitar, strumming constantly. The brief moments where the strings come in give the song a distinct identity that differentiates it from going too far in a traditional folk direction. He also breathes life into the track with lush instrumentation, marking a climax at the start of the Dounya track list.

Despite always having an eclectic taste in terms of production, which became evident from the When the smoke rises with producers like Jamie xx And Samphahe carries out each new adventure on Dounya natural to his style. In the case of “I will go anywhere” the so-called experience feels more like a homecoming for Mustafa, where the string section pays homage to the Middle East. The inclusion of Rosalia the backing vocals also speak volumes, illustrating the wide variety of sonic textures he draws inspiration from for this particular album.

Never one to shy away from topics like death, Mustafa once again goes to places that, while difficult, help one confront harsh realities and trauma. From the start, opener “Name of God” ” speaks to many of the album’s themes, whether it’s Mustafa’s struggles with faith or the passing of his late brother last year. And despite the heartbreaking experiences covered in the song, the guitar and subtle electronic flourishes in the background carry his vocals very soulfully, almost as if to help him endure the pain he bravely bears for listeners.

In the case of many of the album’s tracks, multiple topics are often the focus of each song’s many messages. “Gaza is calling” which made waves earlier this year with its music video, is a lucid account of Mustafa experiencing early childhood heartbreak between him and a friend from Gaza. The lyrics, which feature powerful lines such as “You wanna find the people who want to kill you” and “All our living rooms were on fire,” help capture the helplessness one feels in the face of outside influences outside of control of anyone.

Noon to Midnight Festival: Field Recordings at Walt Disney Concert HallNoon to Midnight Festival: Field Recordings at Walt Disney Concert Hall

Producing the Artists For Aid concert series would be enough to prove how important activism is to Mustafa. But with Dounyahe finds a path where music and activism thoughtfully intersect. “Gaza is Calling” creates a dividing line between the suffering Mustafa remembers of his friend and what is currently happening to innocent people in Gaza. While it might have been easy to make a song about what’s happening now, it cleverly presents the long and painful history that the Middle East has endured, recalling what led to the present moment. On top of that, songs like “Gaza is Calling” are also some of his best works, uncompromising in their messages and unafraid to confront the suffering of millions.

To say Mustafa is booked and busy this year would be an understatement. In addition to the aforementioned Artists For Aid series, it led to the release of Dounya with seated conversations including guests such as Daniel Caesar And Angelina Jolie. This last interview was devoted to the themes of Dounyaa more than appropriate use of time given that the album hosts several topics that Mustafa addresses with impressive sensitivity. But more than anything, he is able to maintain the poetry he became known for through music and activism, a success in preserving an artistic voice.

Words: David Sosa

Visit Mustafa on his Instagram and website to stay informed about new releases and potential tour dates.

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